Ron Funches has the most infectious laugh, and he’s one of the warmest comedians that I’ve ever interviewed. Even at his most serious, he seems a bit mischievous, with a joie de vivre that’s always makes me smile.
Disney Parks shared lots of news all week long, and they saved some exciting announcements for the fans today at the first full day of Destination D23 events.
Well performed, concise, but underwhelming overall, Guy Nattiv’s war drama/biopic Golda succumbs to its own self-imposed limitations.
We spoke to Eric Newman & Barry Meier about Netflix’s Painkiller and the origin of the opioid crisis, and the pain caused by OxyContin.
It’s probably not a good sign to walk out of a raunchy comedy like Strays and being more struck by the level of craft that went into making it than the resonance of any of the jokes.
Overstuffed, shaggy, and only featuring a handful of chuckles, the aging adult dancer comedy Back on the Strip adds little to the lineage of Magic Mikes, Full Montys, and Chocolate Cities that came before it.
Jules should go down well with viewers who were too young to appreciate the likes of Ron Howard’s Cocoon back in the 1980s, but are age appropriate for such a tale today.
As blandly competent, cliched, and underwhelming as superhero movies can get, Blue Beetle squanders an opportunity to do something truly new and revolutionary in favour of pulling remainders out of the recycling bin.
The Eternal Memory is one of the most romantic documentaries ever put to screen. It’s also one of the most tragic.
David Oulton is returning to Canadian prime time television this month on OUTtv. His all new series premieres August 24, following the launch of a new season of his existing talk show Face to Face with David.
Google’s Pixel Tablet is a subtle shift for the market, and it’s incredibly appealing with an excellent overall design.
Filmmaker Emilce Quevedo Díaz turns the camera on her family for powerful Colombian documentary, We The Women
Filmmaker Emilce Quevedo Díaz brings light and connection to her family’s story of generational trauma in the documentary We The Women, with a deeply moving, sad, and yet hopeful glimpse into the past and present.