One of director Richard Linklater’s most fascinating (and bound to be misunderstood) projects in years, Where’d You Go, Bernadette is a soothing, yet complicated sort of bedtime story for adults.
Andrew Parker
Andrew Parker
Andrew Parker fell in love with film growing up across the street from a movie theatre. He began writing professionally about film at the age of fourteen, and has been following his passions ever since. His writing has been showcased at various online outlets, as well as in The Globe and Mail, BeatRoute, and NOW Magazine. If he's not watching something or reading something, he's probably sleeping.
Although it probably works best if you haven’t seen the original movie its based on, After the Wedding remains a well told story of privilege, charity, and suppressed feelings.
Sometimes, the backstage drama that surrounds a movie’s production is more interesting than the finished product. The overwhelmingly meta, but unique and thoughtful dramedy Spice It Up is a movie …
Cold Case Hammarskjöld, the latest feature film from provocative and frequently sarcastic Danish documentarian and investigative journalist Mads Brügger positions itself as a work about the nature of conspiracy theories, …
A sure-fire, if somewhat overlong crowd pleaser, Blinded by the Light does a fine job of illustrating the various ways that pop culture can pick us up when we’re feeling …
While it doesn’t take much to improve upon its predecessor, the mediocre, yet competent animated sequel The Angry Birds Movie 2 isn’t anything particularly worth crowing about.
Although it might be biting off more than it can convincingly chew in a single sitting, the smartly written and exceptionally acted drama Luce is great examination of the muddy …
Visually astounding, but narratively sloppy and tiresome, Scary Stories to Tell in the Dark in no way improves upon its creepy source material.
Avi Belkin’s uniquely mounted biographical documentary Mike Wallace is Here looks at one of television journalism’s most indispensable and controversial luminaries.
Predictable, uninspired, and stretched as thin as it could possible go, writer, director, and star Casey Affleck’s father-daughter drama Light of My Life takes forever to go absolutely nowhere interesting.
