A remarkable and captivating blend of autobiography, performance, and motivational speaking, Springsteen on Broadway distills everything that makes one of America’s greatest singer-songwriter-rock stars such a formidable, genial, and inviting …
Andrew Parker
Andrew Parker
Andrew Parker fell in love with film growing up across the street from a movie theatre. He began writing professionally about film at the age of fourteen, and has been following his passions ever since. His writing has been showcased at various online outlets, as well as in The Globe and Mail, BeatRoute, and NOW Magazine. If he's not watching something or reading something, he's probably sleeping.
A moving look at the generous and tireless Canadian men and women who tried to turn some of the darkest days in world history into something a bit more comforting …
For their latest longform true crime project, Netflix partners up with author John Grisham to adapt one of his few non-fiction books, The Innocent Man, into an effortlessly binge-worthy series …
A remarkable technical and archival achievement arriving just in time for the Centenary of World War I, Peter Jackson’s harrowing and impeccably realized documentary They Shall Not Grow Old brings …
The Canadian produced dystopian action-adventure SuperGrid doesn’t have a huge budget or many clever or original ideas, but it’s a breezily efficient romp just the same.
A quietly mournful and gently celebratory look at a boisterous, but underrated personality, Ethan Hawke’s biopic Blaze is a humane approach to creating iconography organically and empathetically.
A gorgeously produced, exceptionally performed, and uniquely feminist costume drama Mary Queen of Scots pits two of the best working actresses today against one another and everyone around them for …
Although it might be misread by some as a crowd goosing melodrama, Peter Hedges’ Ben is Back is a moving and often painfully realistic depiction of a family coping with …
Norwegian disaster movie sequel The Quake feels every bit as passably entertaining, threadbare, and unnecessary as its bigger budgeted American and Asian counterparts.
A soulless cavalcade of empty spectacle and cacophonous noise, Mortal Engines is one of the dullest, least involving, hollow, and crass attempts at franchise filmmaking ever attempted.
