Film reviews, interviews, and previews from The GATE including annual coverage of the Academy Awards, Toronto International Film Festival, and more.
A gorgeously produced, exceptionally performed, and uniquely feminist costume drama Mary Queen of Scots pits two of the best working actresses today against one another and everyone around them for …
Although it might be misread by some as a crowd goosing melodrama, Peter Hedges’ Ben is Back is a moving and often painfully realistic depiction of a family coping with …
Norwegian disaster movie sequel The Quake feels every bit as passably entertaining, threadbare, and unnecessary as its bigger budgeted American and Asian counterparts.
A soulless cavalcade of empty spectacle and cacophonous noise, Mortal Engines is one of the dullest, least involving, hollow, and crass attempts at franchise filmmaking ever attempted.
While The Mule won’t go down as aging auteur Clint Eastwood’s best outing as a director, it will assuredly be remembered as one of his most interesting and daring roles …
The House That Jack Built, the latest film from controversial Danish auteur Lars von Trier, isn’t so much a motion picture as it’s a confrontational, baffling, effort ridden, messy, and …
No, the world doesn’t need a PG-13 version of Deadpool.
Spider-Man: Into the Spider-Verse is nothing shy of brilliant; the only truly unmissable blockbuster of the holiday movie season.
A daring, but dazzlingly realized reworking of Rudyard Kipling’s The Jungle Book, Mowgli: Legend of the Jungle is a successful risk that might not be suitable for the youngest of …
Deliberately grotesque, unapologetically foul-mouthed, and frequently hilarious Canadian comedy The Go-Getters revels in bad taste and worse behavior.
