As formulaic, marginally satisfying, and predictable as a bowl of vanilla ice cream with no toppings, the action comedy Stuber manages to deliver some decent chuckles and an appropriate level …
The unconvincing and staggeringly self-centred documentary Marianne & Leonard: Words of Love, the latest feature from controversial British director Nick Broomfield, is a perfect example of a film that almost …
Melody Makers: Should’ve Been There is a trip down rock and roll’s memory lane that weaves and rambles through the pages and photographs contained within one of music’s most celebrated …
Maiden is an exceptional, effortless sort of documentary built around a story that’s so thrilling, dramatic, and inspirational that screenwriters who dabble in fictional films would’ve killed to come up …
We sit down with prolific veteran genre filmmaker Mick Garris to talk about his career and his latest effort as a writer, producer, and director, the anthology horror movie Nightmare …
The taut, original, and unpretentious Canadian thriller I’ll Take Your Dead is a no frills sort of production that boasts a wonderful idea, some appropriately nasty and gory flourishes, and …
Toni Morrison: The Pieces I Am is a rather basic talking heads documentary in terms of its overall construction, but as a primer on what makes her such a great …
Quebecois filmmaker Sébastien Pilote reaffirms his status as one of Canada’s best working filmmakers with the quietly observational and emotionally grounded coming of age story The Fireflies Are Gone.
The Last Black Man in San Francisco is one of the most uniquely heartfelt works of cinematic and theatrical art in quite some time; a love letter to people who …
Brazenly uncompromised and assuredly experimental, Quebecois filmmaker Maxime Giroux’s surrealist allegory The Great Darkened Days is the rare breed of psychedelic freak out that’s both politically motivated and assuredly made.