Film reviews, interviews, and previews from The GATE including annual coverage of the Academy Awards, Toronto International Film Festival, and more.
Fahrenheit 11/9, the latest long-form polemic from documentarian and pundit Michael Moore, definitely earns its sequel insinuating title, but not in ways that most viewers will be expecting.
While some could read The Land of Stead Habits, the latest feature from writer-director Nicole Holofcener as a tale of one man’s mid-life crisis, it’s more a pointed, poignant, and …
Mandy, the second feature from Panos Cosmatos, is the cinematic equivalent of a black metal album.
A slight change of pace for usually comic minded filmmaker Paul Feig and a moderate reworking of dark themes similar to those found in David Fincher’s Gone Girl, A Simple …
Veteran British director Richard Eyre’s uneven, but mostly commendable big screen adaptation of author Ian McEwan’s The Children Act tries its best to marry the two ill fitting tones of …
The 1980s set gangster flick White Boy Rick gets off to a fast paced, but rocky start before eventually settling into a predictable, but more assured groove.
Bollywood came to TIFF last night as the stars and director of Husband Material (Manmarziyaan) walked the red carpet for the world premiere of their film, and before the show …
For their new and hilarious animated short film Animal Behaviour (which premieres this week at the 2018 Toronto International Film Festival), tandem filmmaking team Alison Snowden and David Fine look …
Writer-director Paul Greengrass is very familiar with mounting reality based stories of everyday people suffering through physical and emotional tortures (Captain Philips, United 93, Bloody Sunday), but his latest effort …
The rare example of a perfect film, Barry Jenkins’ adaptation of James Baldwin’s If Beale Street Could Talk considerably bests the filmmaker’s already strong work on the award winning Moonlight. …
