Photographer and filmmaker Lauren Greenfield has spent most of her professional career documenting people living affluent or outlandishly wealthy lifestyles, and with her latest feature film, Generation Wealth (opening in Toronto and Vancouver this Friday), she’s finally asking herself why that is.
For the documentary Sacred, director Thomas Lennon has cobbled together the footage of forty filmmaking teams from around the world to create a look at how religious beliefs impact daily life. It’s a great idea for a long-form series, or possibly a trilogy of movies based around the subjects and themes at hand, but it strains to find any sort of footing as a feature, despite a refreshing lack of posturing and a wealth of good intentions.
Jeremiah Tower: The Last Magnificent is a vibrant, tense, moving, sometimes sad, often striking, and most of all, enlightening look at one of America’s most legendary, infamous, and influential chefs. The film peers back to a time when American cuisine was first taking shape, but the power of the story is in Tower’s own life story, and the forces that shaped his career.
Sloths, birds, Komodo dragons, lizards, and penguins, oh my! BBC Earth has arrived in Canada, and to mark its debut, the channel hosted a special premiere screening of Planet Earth II last night in Toronto at the Royal Ontario Museum with a few special guests, including series producer Elizabeth White, AsapSCIENCE hosts Mitchell Moffit and Greg Brown, and the ROM’s managing director, Centre of Discovery of Biodiversity, Dave Ireland.
Unlocking the Cage, the latest documentary from acclaimed veteran filmmaking duo Chris Hegedus and D.A. Pennebaker, takes a look at one man’s quest to grant certain animals the same rights as human beings.
The Iron Sheik is a legend of the WWF wrestling ring, and over two decades he played the part of the villain opposite Hulk Hogan’s shining good-guy routine. Khosrow Vaziri, the man behind the Iron Sheik persona, has a much larger story than playing the heel though, and it all comes out in the documentary, The Sheik.
Right now I’m finally watching Michael Moore’s Capitalism: A Love Story. I like his movies for what they are, but it is hard to call one of them a “documentary”. Compared to a film like Food, Inc. Moore’s films aren’t exactly “balanced”.
Looking back on 2009, I’ve been making notes on all of my favorite films of the year, and while I can’t really count Food, Inc. as one of the best DVD or Blu-ray releases, since it had little in the way of tremendous extra features, it was definitely one of the best documentaries.
Anyone who is familiar with director/writer/activist Michael Moore‘s documentary film style is probably well aware of what he is for and what he is against. Luckily for the sake of Capitalism: A Love Story, Moore hasn’t forgotten what he’s against either and this doc is meticulously focussed on portraying the excesses and greed of the uber-rich and the banks that led to the stock market collapse.