A subtle, yet intensely passionate period love story, Ammonite is the type of film that can tell more with images and glances than most epic novels could manage with thousands of words
Although hampered somewhat by the inherent predictability of its premise, Another Round is another solid effort from esteemed Danish filmmaker Thomas Vinterberg.
The New Corporation: The Unfortunately Necessary Sequel is a good example of a film that’s both vital and messy in equal measure.
Director Nathan Grossman follows the year-long rise of the most outspoken young activist in the world today with his first documentary feature, I Am Greta.
With his feature directorial debut, the Spielbergian family adventure and drama The Water Man, actor David Oyelowo shows that he might have a true knack for big budget blockbuster filmmaking.
Michael Dweck and Gregory Kershaw’s observational and enlightening documentary The Truffle Hunters has a lot more on its mind than culinary delicacies.
The Best is Yet to Come, the feature directorial debut of longtime Jia Zhang-ke collaborator and first-assistant director Wang Jing, is both a social issue picture based on a true story and a loving throwback to American made films about journalism from the 1970s and 80s.
Fauna, the ninth (and in some ways, most straightforward) film from Mexican-Canadian writer-director Nicolás Pereda, is a keenly perceptive, metafictional look at the impact “true to life” popular culture has on everyday society.
For his latest epic, observational look at a complex system and the roots branching out from them, City Hall, esteemed documentarian Frederick Wiseman turns his unwavering eye to the legislature of Boston, Massachusetts with unexpectedly thrilling and moving results.
A simply told but richly detailed story of siblings coping with a shared trauma and the spectre of mental illness in different ways, Wildfire, the feature debut of Irish writer-director Cathy Brady casts a thoughtful shadow that only grows larger the longer one sits with it.