Music buffs well versed in 1960s pop rock will likely get more from the documentary Echo in the Canyon than casual observers, but that doesn’t mean it isn’t an effectively …
The Tomorrow Man is a good looking, well acted film that would a lot better and more interesting if there was as much consideration given to the story as there …
The Souvenir, the superlative fourth feature from British writer and director Joanna Hogg, is one of the most uncomfortably realistic and heart rending looks at young love ever put to …
Clever, occasionally chilling, and packed to bursting with gristly black humour and satisfying action set pieces, the Korean thriller The Gangster, the Cop, the Devil is a refreshing change of …
The post apocalyptic sci-fi thriller I Am Mother looks like a work of art, but boasts a story that feels pulled straight from the remainder bin.
Although it never fully shakes off the shackles of its stage play roots, Canadian director Patricia Rozema’s big screen production of writer-stars’ Amy Nostbakken and Norah Sadava’s Mouthpiece is a …
Although it has a somewhat strangely inappropriate title that sounds good and doesn’t signify much at all, the Chinese cops and gangsters thriller Chasing the Dragon II: Wild Wild Bunch …
Pavarotti doesn’t reinvent the documentary form in any way, nor does it really foster a deeper appreciation for opera in the uninitiated, but it is a well told story of …
Framing John DeLorean is an entertaining, high wire filmmaking experiment that does well by the controversial visionary at its centre, while transparently deconstructing itself in the process.
Bringing a reported close to the nearly twenty year cycle of X-Men movies for Twentieth Century Fox (although, depending on where you draw that line, it could only be nine …