Sara Driver’s Boom for Real: The Late Teenage Years of Jean-Michel Basquiat is the best kind of documentary built around talking heads looking back on a famous, noteworthy personality.
Andrew Parker
Andrew Parker
Andrew Parker fell in love with film growing up across the street from a movie theatre. He began writing professionally about film at the age of fourteen, and has been following his passions ever since. His writing has been showcased at various online outlets, as well as in The Globe and Mail, BeatRoute, and NOW Magazine. If he's not watching something or reading something, he's probably sleeping.
Iranian writer-director Mohammad Rasoulof’s wrenching, poignant, and politically loaded drama A Man of Integrity might involve a culturally specific set of circumstances ruining the life of a family in Northern …
An unlikely box office success in the U.S. (by documentary standards), RBG, an in-depth look at the life and career of noteworthy, left-leaning Supreme Court judge Ruth Bader Ginsburg, won’t …
Boasting a duller, nastier wit than its predecessor and a newfound brush with sincerity, the adult oriented super-anti-hero sequel Deadpool 2 lacks the anarchic glee and spontaneity of its blockbuster …
Breaking In is a rudimentary, B-grade home invasion thriller that’s both highly entertaining and highly stupid.
Life of the Party, the latest comedy starring and co-written by Melissa McCarthy alongside her husband-director-collaborator Ben Falcone, is in line with the pairing’s other films together, infrequently for better, …
A film based on one of the most celebrated plays in history adapted for the screen by a Tony winning playwright sounds like a “can’t miss” artistic proposition, but director …
For her latest, The Heat: A Kitchen (R)evolution, prolific Canadian filmmaker and documentarian Maya Gallus looks at women making names for themselves in one of the most financially devastating, time …
Brutal, intense, and elegantly composed French filmmaker Coralie Fargeat’s debut feature Revenge breathes energy and depth into a dubious sub-genre of thriller that’s been on life support since the 1980s.
We caught up with Canadian filmmaker Laura Marie Wayne and her best friend, musician and documentary subject Scott Jones about their collaboration on Love, Scott, a film about Scott’s road …
