With last year’s Oscar nominated short film Heroin(e), documentarian Elaine McMillion Sheldon looked at women working on the front lines of West Virginia’s rampant opioid drug crisis. Her latest feature, …
Uniquely pitched somewhere between the work of the gritty and perceptive outlandishness of the Coen Brothers and the surreal, dreamlike work of Thai auteur Apichatpong Weerasethakul, the modernist Indonesian western …
An impressive improvement on an already commendable show, the second installment of GLOW – a backstage dramedy set against the backdrop of a tawdry and kitschy all-female wrestling program from …
Our senior film critic reassesses The Wachowski’s much maligned 2008 box office flop Speed Racer in honour of the film’s 10th anniversary and a special IMAX screening of the film …
Luke Cage Season 2 isn’t easily watchable, but it is enjoyable for the most part, and he remains the most consistently written and utilized character in the NYC centred Marvel …
Loud, lumbering, cynically made and caring about nothing more than taking your money, Jurassic World: Fallen Kingdom isn’t only the worst film in the rampaging dinosaur franchise, but one of …
A story of young love on the rocks, the Canadian produced/American set romantic drama Paper Year comes from a place of brutal, emotional honesty, but not from an assured filmmaking …
A delicately entertaining and uplifting film that manages to be inspirational and charming without becoming outright corny, overwrought, or leaning hard into American indie movie conventions, the musical-comedy-drama Hearts Beat …
A fascinating and effective marriage of documentary interview techniques with slick, stylish, fictional filmmaking, director Bart Layton’s unique heist drama American Animals delivers plenty of thrills and high spots while …
Multi-hyphenate talent Sook-Yin Lee’s second directorial feature, Octavio is Dead, contains a lot of intriguing ideas and concepts revolving around feelings of grief and sexual identity, but they could stand …