Scattered by design, strangely compelling, and expertly performed, Eternal Beauty is the sort of film that wants to make a connection despite the fact that it doesn’t entirely add up …
Caught somewhere between a profile, an extended gag, and a living wake, Kirsten Johnson’s heartfelt, funny, and brave documentary Dick Johnson is Dead shows the empowerment that can be found …
The Glorias, stage and screen auteur Julie Taymor’s take on the life and work of feminist icon Gloria Steinem, exists in a narrow space between being a novel take on …
The Trial of the Chicago 7, the latest from writer-director Aaron Sorkin, is a basic, but well crafted and intelligent period courtroom drama that bristles with newfound political relevance within …
A modernist western unlike any other, writer-director Anna Kerrigan’s domestic drama Cowboys is packed to bursting with complex characters, outstanding performances, social resonance, and an overwhelming amount of empathy.
The documentary Ahead of the Curve is a balanced, historically significant, and surprisingly entertaining look at the woman behind the longest running and best selling lesbian magazine of all time.
On paper, the hipster sci-fi/comedy Save Yourselves! sounds like an enjoyable lark, but there’s not much entertainment to be found in its execution.
Possessor, the second feature from Canadian filmmaker Brandon Cronenberg, is a well crafted, but curiously unengaging psychological thriller.
Light and effervescent, On the Rocks is a good bit of cinematic comfort food, but it’s bound to be heralded by some as a bit of a disappointment from those …
Joe Mantello’s cinematic updating of Matt Crowley’s seminal LGBT play The Boys in the Band is a great example of how one can make something visually and dramatically captivating for …